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Translated Works The Abandoners : Of Mothers and Monsters by Begona Gomez Urzaiz
9780008656072.jpg Image 1 of
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The Abandoners : Of Mothers and Monsters by Begona Gomez Urzaiz

£16.99

When it comes to children: a man leaves, a woman abandons Ingrid Bergman, Muriel Spark, Maria Montessori, Joni Mitchell … what did they give up to become the women they were to the world? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society’s judgement and their own maternal instincts in order to leave their children.

More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias. Using famous examples including Doris Lessing, fictional ones such as Anna Karenina, and interrogating modern trends like Momfluencers, Begoña reveals what our judgement of these women tells us about our judgement of all women.

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When it comes to children: a man leaves, a woman abandons Ingrid Bergman, Muriel Spark, Maria Montessori, Joni Mitchell … what did they give up to become the women they were to the world? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society’s judgement and their own maternal instincts in order to leave their children.

More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias. Using famous examples including Doris Lessing, fictional ones such as Anna Karenina, and interrogating modern trends like Momfluencers, Begoña reveals what our judgement of these women tells us about our judgement of all women.

When it comes to children: a man leaves, a woman abandons Ingrid Bergman, Muriel Spark, Maria Montessori, Joni Mitchell … what did they give up to become the women they were to the world? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society’s judgement and their own maternal instincts in order to leave their children.

More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias. Using famous examples including Doris Lessing, fictional ones such as Anna Karenina, and interrogating modern trends like Momfluencers, Begoña reveals what our judgement of these women tells us about our judgement of all women.

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