Bright Fear by Mary Jean Chan
Through poems which engage fearlessly with intertwined themes of identity, multilingualism and postcolonial legacy, Chan's latest work explores a family's evolving dynamics, as well as microaggressions stemming from queerphobia and anti-Asian racism that accompanied the Covid pandemic.
Yet Bright Fear remains deeply attuned to moments of beauty, tenderness and grace. It asks how we might find a home within our own bodies, in places both distant and near, and in the 'constructed space' of the poem. The contemplative central sequence, Ars Poetica, traces the radically healing and transformative role of poetry during the poet's teenage and adult years, culminating in a polyphonic reconciliation of tongues. Throughout, Chan offers us new and galvanising ways to 'withstand the quotidian tug- / of-war between terror and love'.
Through poems which engage fearlessly with intertwined themes of identity, multilingualism and postcolonial legacy, Chan's latest work explores a family's evolving dynamics, as well as microaggressions stemming from queerphobia and anti-Asian racism that accompanied the Covid pandemic.
Yet Bright Fear remains deeply attuned to moments of beauty, tenderness and grace. It asks how we might find a home within our own bodies, in places both distant and near, and in the 'constructed space' of the poem. The contemplative central sequence, Ars Poetica, traces the radically healing and transformative role of poetry during the poet's teenage and adult years, culminating in a polyphonic reconciliation of tongues. Throughout, Chan offers us new and galvanising ways to 'withstand the quotidian tug- / of-war between terror and love'.
Through poems which engage fearlessly with intertwined themes of identity, multilingualism and postcolonial legacy, Chan's latest work explores a family's evolving dynamics, as well as microaggressions stemming from queerphobia and anti-Asian racism that accompanied the Covid pandemic.
Yet Bright Fear remains deeply attuned to moments of beauty, tenderness and grace. It asks how we might find a home within our own bodies, in places both distant and near, and in the 'constructed space' of the poem. The contemplative central sequence, Ars Poetica, traces the radically healing and transformative role of poetry during the poet's teenage and adult years, culminating in a polyphonic reconciliation of tongues. Throughout, Chan offers us new and galvanising ways to 'withstand the quotidian tug- / of-war between terror and love'.